March — Collected Reviews — Cushman Collected

Posts tagged March

A Shadowed Enchantment

A Shadowed Enchantment

The 'Insider' Deal With Stratford's New Director

The 'Insider' Deal With Stratford's New Director

Shakespeare, National Post, Stratford FestivalRobert CushmanMarch 13, 2012Stratford Festival, National Post, Antoni Cimolino, 2013, Des McAnuff, Chris Newton, Max Reimer, Michael Langham, John Hirsch, Tom Patterson, Lucy Prebble, 2012, March, Thoughts on Shakespeare

Competing Visions of How to Play a Tree; Two Plays Set in the Woods Feature Actors in Arboreal Roles

Competing Visions of How to Play a Tree; Two Plays Set in the Woods Feature Actors in Arboreal Roles

Very Much, Actually

Very Much, Actually

The Next Generation of Angry Scottish Kings

The Next Generation of Angry Scottish Kings

Shakespeare, Brooklyn Academy of Music, National PostRobert CushmanMarch 6, 20082008, March, Macbeth, Brooklyn Academy of Music, Rupert Goold, Kate Fleetwood, Michael Feast, Tim Treloar, Patrick Stewart

Beam Me Up, Boatswain!

Beam Me Up, Boatswain!

Shakespeare, Royal Shakespeare Company, National PostRobert CushmanMarch 13, 20072007, March, The Tempest, Royal Shakespeare Company, Maria Gale, Rupert Goold, Giles Cadle, James Hayes, Ken Bones, Julian Beach, National Post, Patrick Stewart

The Beeb Does the Bard: BBC Canada Updates Shakespeare for the Cellphone Set

The Beeb Does the Bard: BBC Canada Updates Shakespeare for the Cellphone Set

Tragically, These Heroines Remain Who They Are

Tragically, These Heroines Remain Who They Are

Riffs on Shakespeare, Canadian Stage, National Post, ShakespeareRobert CushmanMarch 27, 20012001, March, Goodnight Desdemona (Good Morning Juliet), Canadian Stage, Ann-Marie MacDonald, Alison Sealy-Smith, Cara Pifko, Juan Chioran, Alisa Palmer, Riffs on Shakespeare

You Can Teach Young Dogs New Tricks

You Can Teach Young Dogs New Tricks

Shakespeare as It Was Meant to Be Performed: . . . Whatever That Means: Stratford Explores What Makes the Bard's Words Work

Shakespeare as It Was Meant to Be Performed: . . . Whatever That Means: Stratford Explores What Makes the Bard's Words Work

Shakespeare, Stratford Festival, Soulpepper, National PostRobert CushmanMarch 2, 19991999, March, Stratford Festival Conservatory for Classical Theatre Training, Stratford Festival, Richard Monette, Richard Burbage, Nicholas Pennell, Albert Schultz, Thoughts on Shakespeare

End of an Era

End of an Era

Observer, Thoughts On ShakespeareRobert CushmanMarch 28, 1982March, 1982, Aldwych Theatre, Tyrone Guthrie, Peter Brook, Vanessa Redgrave, Clifford Williams, Irene Worth, John Barton, Peggy Ashcroft, Terry Hands, Paul Scofield, Peter Hall, Thoughts on Shakespeare

Putting Paid to Othello

Putting Paid to Othello

Observer, Royal Shakespeare Company, Shakespeare, Olivier TheatreRobert CushmanMarch 23, 1980March, 1980, Royal Shakespeare Company, Peter Scofield, Michael Bryant, Felicity Kendal, Yvonne Bryceland, Stephen Moore, Michael Gamdon, Penelope Wilton, Mark Dignam, Peter Hall, Othello

Undermining Shakespeare

Undermining Shakespeare

Royal Shakespeare Company, Shakespeare, ObserverRobert CushmanMarch 9, 1975Helen Mirren, Ron Pember, Gordon Jackson, Nicol Williamson, Trevor Nunn, Aldwych Theatre, Macbeth, 1975, March, Paul Scofield

The National's Great Tempest

The National's Great Tempest

National Theatre, Observer, ShakespeareRobert CushmanMarch 10, 19741974, March, The Tempest, National Theatre, John Gielgud, Denis Quilley, Cyril Cusack, Jenny Agutter, Joseph O'Conor, Peter Hall